Another media outlet has embraced the sterile void, proving once again that they just can’t resist turning everything into a forgettable blob.
CNBC’s announcement of a new logo set to launch on December 13 has ignited backlash, with critics slamming it as yet another example of the bland, uninspiring redesigns plaguing modern brands.
The move drops the iconic NBC peacock after nearly 30 years, opting for a “cleaner, more modern look” that many see as a step toward corporate anonymity.
Wow, it’s impressively bad
— Nick (@nicksainato) December 5, 2025
This push for clinical minimalism highlights a broader urge to strip away personality, making everything feel cold and detached.
It’s a trend that shows just how out of touch these decision-makers are, assuming sterile designs will resonate in a world craving authenticity.
The new logo, described by CNBC as ‘pointing to the future while integrating current elements’, comes amid the network’s spin-off from NBCUniversal’s cable assets. According to reports, the update simplifies the design to keep the identity familiar but sheds the peacock feathers, aligning with the separation from its parent company.
X users wasted no time ripping into the reveal, drawing immediate parallels to recent rebrand disasters.
this will be a gap, hbo max, cracker barrel situation.
— andy b. (@andybowers_) December 5, 2025
Same vibes pic.twitter.com/GSQU0Ipyyt
— obj ? (@obj0x0) December 5, 2025
Congrats, you now look like a bank pic.twitter.com/spK9Ip5Nvi
— Stuntman Stu (@StuntmanStu) December 5, 2025
Another satisfying day of watching a legacy brand destroy something that worked and call it modern.
— Fernando Nikoli? ?? ? (@basedlayer) December 5, 2025
Imagine how much they paid for that. And how soul-sucking all the corporate team brainstorm /design sessions must have been. Probably finalized the logo on a Teams call.
— Harry (@BalsagnaHarold) December 4, 2025
I know this look.
— Lazy Saint Daniel (@LazySaintDaniel) December 5, 2025
In Powerpoint where you ALMOST line up all your diagram icons, but one is clearly closer to it's neighbor than the others
You futz with it for hours trying to get it aligned and equidistant, but eventually give up
"Good Enough" is the name of this look
The CNBC fiasco instantly evoked memories of Cracker Barrel’s botched rebrand attempt earlier this year, where the Southern chain tried to ditch its rustic charm for a generic orange-and-brown logo and sanitized interiors. The overhaul, led by CEO Julie Felss Masino, sparked massive pushback from customers who cherished the folksy Americana vibe.
Cracker Barrel’s 93-year-old founder, Tommy Lowe, didn’t hold back in blasting the now-abandoned plan. “Oh, that’s crazy. That’s a bland nothing,” Lowe declared, calling it “pitiful.” He questioned whether Masino, with her background at Taco Bell, even understood the brand’s roots. “I don’t think so,” he said. “They’re trying to modernize to be like the competition – Cracker Barrel doesn’t have any competition.”
After spending hundreds of millions, Cracker Barrel reversed course amid the uproar, proving public resistance can force corporations to rethink their soulless agendas. Yet the trend persists, as also seen in MSNBC’s recent rebrand to “MS NOW,” which sounds like an awareness campaign for multiple sclerosis.
The MSNBC shift, part of its own cable spin-off, drew ridicule for its irony—watching the network allegedly leaves viewers with symptoms like fatigue and cognitive issues, much like the autoimmune disorder. One observer noted it could stand for “My Source for News, Opinion, and the World,” but skeptics suggested “MS OOO” or even a pile of excrement covered in whipped cream, emphasizing that no cosmetic change hides the underlying rot.
These rebrands underscore a deeper issue: an elite obsession with making everything as cold and clinical as possible, from architecture to media logos. Why the compulsion to erase warmth and character? It reflects a disconnect from everyday Americans who reject this sterile uniformity pushed by out-of-touch executives.
In CNBC’s case, the new design’s bank-like austerity fits the fake news media’s broader image—polished on the surface but lacking substance.
This pattern isn’t isolated. Corporations keep betting on minimalism, only to face backlash from those who value tradition over trendy blandness. It’s a reminder that when “modernization” is prioritised over authenticity, it completely alienates the very audiences they claim to serve.
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The detached tringle represents the detachment from reality of their reporting.